I thought I would share a behind-the-scenes look at how a commission evolves from start-to-finish. This is for a project I’m presently working on, but I can’t say for who or what it’s about. Ninety-nine percent of the time, I receive the full text to read. At minimum, I get a synopsis. After reading the copy, I usually rough something out quickly in pencil to get me motivated. From there I draw a more refined, yet still ragged, version via my Wacom tablet and Photoshop. This allows me to mess around with scale and element placement before I started cutting things out. The central character is very angular and rigid (intentionally). Since tentacles need to be smooth, it’s much faster for me if I create them in Illustrator. Sometimes I use the pen tool and other times the blob brush. The second tentacle is blue so that I can easily discern the overlap. From here I can move the shapes to Photoshop as pixels.
…to be continued.