HUNTERS & GAMBLERS
A ‘lost’ work graces the cover of HUNTERS & GAMBLERS (Dark Sky Books) — the debut release by writer Ryan Ridge — that is a perfect match for a darkly-humorous collection of short stories that often-times read like poetry. My favorite (thus far): Shaky Hands & All.
You can also see a fragment of one of my other other images on the author’s site.
Imagine my surprise when the second Thursday Next novel - LOST IN A GOOD BOOK – arrived yesterday. It’s like Christmas in September!
The first, repackaged Thursday Next novel – THE EYRE AFFAIR by Jasper Fforde – was delivered yesterday. The designer I worked with at Penguin – Jaya Miceli – does remarkable things when it comes to backgrounds and type treatments!
I am excited to announce that the New Orleans Photo Alliance has invited me to jury a special exhibition entitled, “NOIR”. Photographers of all levels are invited to submit work that is inspired by, or pays homage to, classic films of the 40′s and 50′s. For more details or to enter, go here.
ENTRY DEADLINE: AUGUST 19 AUGUST 26
A hands-on, pop-up workshop with me is also in the works (though not officially confirmed yet). Updates will be posted when available.
Ann Miller (Virginia Huston): “She can’t be all bad. No one is.”
Jeff (Robert Mitchum): “Well, she comes the closest.”
Several months back, Sterling Publishing licensed the rights to use Timber on the cover of HERO OF A HUNDRED FIGHTS. However, the real hero here is their designer—Ben Gibson—and his ingenious placement of the book into a desert landscape.
My SPOTS Gold Award — presented by the Society of Publication Designers for my work in Harper’s Magazine (March, 2009).
In addition to being an artist, photographer, illustrator…I also spend a fair amount of time volunteering for Brookview School (I created the templates for the site). Last year, I photographed, rendered and designed the cover for Brookview’s self-published book, FAMILY GUIDE TO BERRIEN COUNTY. It’s a comprehensive resource for all-things-fun in Michigan’s southwest corner.
EVOLUTION OF THE FRONT COVER:
The Wall Street Journal – Belated update.
This weekend marks my debut as a contributor to the Wall Street Journal. I received an email on Monday asking if I could create something for the back page of the weekend edition. The request ended with, “And we’d pay whatever you like…dying to get you in the paper!!!” How often does anyone hear that? I received the copy Monday afternoon. On Tuesday(comps were due Wednesday), I drove south to a new, used bookstore in Stevensville—Mr. Jack’s Paperbacks. It was a total bust (I never saw so many romance novels in one place in all of my life). From there, I headed back toward home and continued north to my reliable source—Black River Books in South Haven. However, I totally forgot that they were closed on Tuesday’s. Slightly panicked, I returned home, read over the copy two more times and began shuffling through the same old books that I’ve looked at many times before. That’s when the proverbial truck hit me because my cast of characters were already here. I pulled out my toolbox and had everything cut out, glued down, lit up and sent off in no time at all.
This appeared in my inbox 20 minutes later:
Oh my God, Thomas. What an amazing job you’ve done! Everyone is in LOVE with it. You are brilliant, and you were the perfect choice for this. What a great title to come across! And the cutouts are spot-on… I cannot thank you or praise you enough!!!!!
How’s that for ‘feel good’?!
When I reopened the original file to prep the high-resolution version, I didn’t like how it was illuminated so I exposed it again — this time with a soft box. While it was definitely better, the global corrections improved some areas while degrading others so I needed to try a different approach. I profiled both of my displays, made more coffee, cleaned my glasses, sat down, fired up Girl Talk, laced my fingers together and cracked my knuckles, unplugged my fully-charged Logitech Performance MX mouse and got to work.
Eleven hours and 46 Photoshop adjustment layers later, I hit ‘save’ for the last time and called it ‘done’. Look for it in all of its 8.5″ x 5.75″ glory.
For an exclusive “backstage” peek at what the construction looks like from behind, head over to Super Punch.
Leaving for the airport in just a few short hours. This is my first trip to the Pacific Northwest. If you’re in the area and looking for something to do Thursday night, stop by G. Gibson Gallery.
